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To summarize, Gabriel suffers from paralysis, at least partly because of his admiration for and attraction to things English. Though "The Dead" includes much believable dialogue, it is the story in all of Dubliners with the most — and the most evocative — descriptions.

The result is that the already considerable dramatic tension of "The Dead" actually increases: One boot stood upright, its limp upper fallen down: As effective as the combination of theme, symbolism, dialogue, and description were in the prior story, "Grace," they mix here to yield something even more impressive: Guttapercha a rubberlike gum produced from the latex of various southeast Asian trees.

Christy Minstrels a popular nineteenth-century American theatrical troupe featuring white performers made up to look like stereotypical black characters.

Quadrille a square dance of French origin, consisting of several figures, performed by four couples. Three Graces the three sister goddesses who have control over pleasure, charm, and beauty in human life and in nature.

Paris in Greek legend, a son of Priam, king of Troy. Jack, Ed, and Bam make their way to the Oval Cricket Ground , finding dozens of ambulances, military trucks, police cars, and skips outside filled with dead bodies.

The boys explore, finding and keeping several weapons. They find that the entire stadium is full of diseased corpses that were stacked to be burned, as well as numerous bodies seated in the stands, but the law enforcement and medical officials were themselves killed or succumbed to the infection before they had a chance to finish the job.

The boys learn not all the bodies are dead and are then pursued by adults through the stadium. Jack accidentally shoots a propane tank with a submachine gun whilst trying to fend off an attacker, causing it to explode and setting off an avalanche of corpses.

Ed is buried underneath the bodies whilst Jack and Bam are buried underneath the debris resulting from a partially collapsed section of the stadium.

Bam mistakes Jack for an adult and shoots him with a shotgun. Jack is badly wounded but able to stand. In the street, they are ambushed by adults whom the three boys manage to kill, but Greg appears and kills Bam with a meat cleaver to the head.

Greg is about to finish off Ed, but Greg flees when Ed mentions Liam. However, Jack is beyond repair. Ed takes Jack to his bedroom and keeps him company throughout the night with him.

In the morning, Ed finds Jack has died from his injuries. Soon, Ed is ambushed again by adults, only to be rescued by David and his group before they took residence at Buckingham Palace.

Together, they all travel to the museum. David warns Ed that the fire is spreading northward, towards the museum, and the museum group should relocate.

At the museum, Ed manages to stitch his cheek, leaving him with a large scar. He confronts Frederique, who has escaped captivity by gnawing off her own thumb to slip out of her handcuffs.

Ed holds council with David and Jordan, with Ed and David deciding to move to North London away from the oncoming fire. Jordan decides to stay in the museum with his original group.

Ed and David make a deal: Armed with additional weapons from the museum, Ed and David lead their respective kids, and attempt to cross north across the River Thames via the Lambeth Bridge , fleeing the rapidly spreading fire.

Every other kid in South London is also trying to cross the river, and they all struggle to do so due to congestion and a commotion between kids further up the bridge.

A huge wave of infected adults comes up behind the kids from the south, and Ed and several other fighters including Courtney and Aleisha hang back to fend off the infected whilst Brooke and the others drive on without knowing they are leaving them behind.

Frederique reappears and attacks Aleisha, injuring her, resulting in Ed shooting Frederique dead with a pistol. Ed is helped by another boy named Kyle, and although the fighters initially seem to be overwhelmed, they are rescued by Jordan, Dognut and their his crew, who had been forced to abandon the museum by adults and the fire.

The fighters flee, but the way back to the bridge is blocked by a horde of adults. The kids manage to take control of a sightseeing cruise boat moored in the river.

The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life. A number of spells are for magical amulets , which would protect the deceased from harm.

In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy. Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value.

Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available. For most of the history of the Book of the Dead there was no defined order or structure.

The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife. The Book of the Dead is a vital source of information about Egyptian beliefs in this area.

One aspect of death was the disintegration of the various kheperu , or modes of existence. Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects; [29] the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.

The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense.

In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied. It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.

An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.

In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.

There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.

While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti , or later ushebti.

The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.

Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.

If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.

There, the dead person swore that he had not committed any sin from a list of 42 sins , [44] reciting a text known as the "Negative Confession".

Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.

Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".

This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.

The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.

For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.

A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased.

They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver, [51] perhaps half the annual pay of a labourer.

In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.

Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman.

The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m.

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